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Producers: Arnold Rifkin, Michael MendelsohnĮxecutive producers: William V.Starring Quinn Shephard, Chris Messina, Nadia Alexander, Sarah Mezzanotte, Tessa Albertson, Luke Slattery, Owen Campbell, Geneva Carr, and Tate Donovan.Ī drama teacher’s taboo relationship with an unstable student strikes a nerve in her jealous classmate, sparking a vengeful chain of events within their suburban high school that draws parallels to ‘ The Crucible‘.īlame certainly has its fair share of problems and while it may soon look as if this review is overly harsh, that doesn’t take away how speechless rendering and impressive it is that the high school drama (proudly drawing parallels to widely regarded masterpiece and standard curriculum book The Crucible) was directed, written, starred, edited, and produced by 22-year-old Quinn Shephard, who started scribing the movie with her mother Laurie Shephard when she was only 15.
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Screenwriters: Michael Caissie, Charles Huttinger Production companies: Patriot Pictures, Cheyenne EnterprisesĬast: Al Pacino, Karl Urban, Brittany Snow, Joe Anderson, Sarah Shahi Maybe he still just loves to act, no matter how misbegotten the vehicle. He invests his burnt-out cop with world-weary gravitas, although it’s hard not to wonder what he’s thinking as he goes through his formulaic paces. To his credit, Pacino doesn’t simply walk through the film. He also doesn’t elicit the best work from his performers, with Urban and Snow unable to overcome their characters’ stereotypical aspects. The resolution of the mystery, which involves the sort of convoluted backstory that budding screenwriters should be taught to avoid, proves more laughable than satisfying.ĭespite his extensive action movie experience, director Johnny Martin ( Vengeance: A Love Story) fails to invest the violence with much suspense. That the hard-boiled cops would tolerate the constant presence of the reporter, not to mention allow her to take part when they’re chasing the suspect, completely beggars belief. The police procedural plot proves tiresome, with the influence of far better films like Seven becoming increasingly obvious.
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Pursuing the killer with the intrepid female journalist in tow, the detectives find themselves in one dangerous situation after another, including Ruiney trying - and failing - to rescue a victim who’s been strung up in the path of a roaring train.
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Joining the pair is New York Times reporter Christi Davies ( Brittany Snow) who, when Ruiney angrily confronts her, retorts, “Sir, I’ve been nominated for a Pulitzer Prize!” Her response when he asks about a scar on her forehead provides further evidence of the cheesiness of Michael Caissie and Charles Huttinger’s screenplay: “Sometimes, finding out the truth leaves scars,” she points out, sounding like the worst greeting card ever. Like all fictional cops, Ruiney is emotionally haunted, in this case by the unsolved murder of his wife, while Archer is the sort of driven figure who, when asked if he got some rest, ominously declares, “I don’t rest…ever.” The latter has been called out of retirement after the pair’s badge numbers were found carved near the first victim’s body. Investigating the murders, which take place at the alarming rate of one every 24 hours, are detectives Will Ruiney ( Karl Urban) and Ray Archer (Pacino).